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2017
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2015
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2015
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2011
Fiona McGregor, How Does Your Live Art Grow?
Review of Liveworks, Performance Space, realtime, 101
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2011
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2011
MONA Tasmania Opening-Review in Eyecontact
Review of the new Museum of Old and New Art in Hobart.
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2010
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2010
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2010
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2010
Hold-Catalogue Essay, Liveworks, Performance Space, Sydney
Essay by the artist on Hold commissioned by Performance Space, Sydney, November, 2010.
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2010
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2010
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2010
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2010
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2010
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2009
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2009
Karaoke Theory- Andy Thomson-catalogue essay
Published in Gillam, J,(ed), Show. Enzyme Publishing, Auckland, 2009, pp 86-9.
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2009
Wet Weather Painting: A Users guide, Bedwyr Williams Le 'Welsh' Man's 24 hour-catalogue essay
A critical response for the One Day Sculpture website on the work Le 'Welsh' Man's 24 hour by Bedwyr Williams. The work was curated by Siv Fjaerstad. A version of this essay also appears in Cross, D and Doherty, C (eds) One Day Sculpture, Kerber Verlag, Bielefeld, 2009, pp130-132 and in Booth,J (ed), Le 'Welsh' Man's 24 hour: Bedwyr Williams, Enjoy, Wellington, pp 6-11.
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2009
Things I Remember-Things I Never Knew, I Remember Golden Light: Bekah Carran
In Cross, D and Doherty, C (eds) One Day Sculpture, Kerber Verlag, Bielefeld, 2009, pp151-55.
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2009
One Day Sculpture Book, Co-edited with Claire Doherty
The One Day Sculpture book was published after the series of the same name to document the twenty commissions that took place across New Zealand in 2008/9. The book also features eight commissioned essays on temporary public art by leading authorities including Amelia Jones, Melanie Gilligan, Terry Smith and Martin Patrick.
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2009
Days Like These: Temporality, Place and Social Engagement-journal article
Originally delivered as a paper for the Spaces of Art Conference at Artspace in Sydney, April 10-11, 2009, The paper was subsequently published in Column 4, Artspace, 2009, edited by Reuben Keehan, pp 85-9.
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2009
The Politics of Temporary Public Art in Wellington- conference paper with Jennifer Gillam
A Paper presented for the ACUADS conference in Brisbane, 2009. Subsequently published online.
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2008
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2008
Tatzu Oozu-catalogue essay
In, Wandering Lines: Towards a New Culture of Space, edited by Fulya Erdemci and Danae Mossman, Scape: Art and Industry Biennial, 2008, p47.
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2007
Some Things Are Illuminated, essay in the catalogue Light-Glass-Transparanecy
This essay examined the work of Dan Flavin, Dan Graham, Spencer Finch, David Thomas and Christoph Dahlhausen among others that formed the basis of the exhibition Light-Glass-Transparancy at the Kunsthalle Dominikanerkirshe, Osnabruck, Germany in 2007
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2007
Sculpture Project Munster 2007- Review
In, AANZ Journal of Art vol 8, number 1, pp146-150.
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2006
Otto Karvonen, Dorothy M and Martin Creed entries in the catalogue Don't Misbehave, Scape, 2006
In, Don't Misbehave edited by Natasha Conland and Susanne Jaschko, for Scape Art and Industry Biennial, Christchurch, 2006.
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2006
Gelitin- Tantamounter 24-review
In Un magazine, Issue 7, Autumn, 2006, pp70-71.
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2005
Between Cocksure and Cock Uncertain: Masculinity and Recent Australian Video Art-Journal article.
In, Photofile 74, 2005, pp 46-50.
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2005
It's a Vacant Vacant Vacant Vacant World-catalogue essay
in, Vacancy, (editors Ron Left and Monique Redmond) published by the School of Art and Design, AUT, Auckland, pp33-37.
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2004
The Imaginary Real and Symbolic Museum: David Clegg’s Imaginary Museum-Journal Article
Published in Visit, Vol 5, Govett Brewster Art Gallery, pp16-17.
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2003
The Photographic Glare: Youth As a Hyperreal Experience: Jan Nelson at Sao Paolo Biennale-catalogue essay
In, Walking in Tall Grass: Jan Nelson, published for the Sao Paolo Biennale, Brazil, pp1-7.
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2000
Happy Birthday Sweet Sixteen: Young Bodies in Recent Painting-journal article
Like Magazine, No.10. 2000, pp60-64.
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1997
Can’t Touch This: The Disappearing Body in Performance Art-journal article
Like Magazine, Winter, 1997, no4, pp57-58.