• 2017

    Exploring Posthuman Masquerade and Becoming

  • 2015

    Level Playing Field

  • 2015

    David Cross in Conversation with Cameron Bishop

  • 2011

    MONA Tasmania Opening-Review in Eyecontact

    Review of the new Museum of Old and New Art in Hobart.

  • 2011

    Melanie Oliver- Sydney Performance Festival

    Review of Liveworks in Eyecontact

  • 2011

    Fiona McGregor, How Does Your Live Art Grow?

    Review of Liveworks, Performance Space, realtime, 101

  • 2010

    Corporation Wells-Review in Eyecontact

    Review of Tao Wells project for Letting space

  • 2010

    Eyecontact-John Ward Knox

    September 2010

  • 2010

    Wellington's Free Store: Kim Paton-review in Eyecontact

    June 2010

  • 2010

    Hold-Catalogue Essay, Liveworks, Performance Space, Sydney

    Essay by the artist on Hold commissioned by Performance Space, Sydney, November, 2010.

  • 2010

    Peter Trevelyan Mimetic Brotherhood-review on Eyecontact

    March 2010

  • 2010

    John Reynolds Nomadology-Review in Eyecontact

    May 2010

  • 2010

    New York City in June-review in Eyecontact

    June 2010

  • 2010

    Battle of the Bands: Adam Art Gallery-review on Eyecontact

    May 2010

  • 2010

    4th Auckland Triennial: Last Ride in a Hot Air Balloon-review in Eyecontact

    April 2010

  • 2009

    Karaoke Theory- Andy Thomson-catalogue essay

    Published in Gillam, J,(ed), Show. Enzyme Publishing, Auckland, 2009, pp 86-9.

  • 2009

    Days Like These: Temporality, Place and Social Engagement-journal article

    Originally delivered as a paper for the Spaces of Art Conference at Artspace in Sydney, April 10-11, 2009, The paper was subsequently published in Column 4, Artspace, 2009, edited by Reuben Keehan, pp 85-9.

  • 2009

    Yayoi Kusama: City Gallery Wellington-Review in Eyecontact

    October, 2009

  • 2009

    The Politics of Temporary Public Art in Wellington- conference paper with Jennifer Gillam

    A Paper presented for the ACUADS conference in Brisbane, 2009. Subsequently published online.

  • 2009

    Things I Remember-Things I Never Knew, I Remember Golden Light: Bekah Carran

    In Cross, D and Doherty, C (eds) One Day Sculpture, Kerber Verlag, Bielefeld, 2009, pp151-55.

  • 2009

    Wet Weather Painting: A Users guide, Bedwyr Williams Le 'Welsh' Man's 24 hour-catalogue essay

    A critical response for the One Day Sculpture website on the work Le 'Welsh' Man's 24 hour by Bedwyr Williams. The work was curated by Siv Fjaerstad. A version of this essay also appears in Cross, D and Doherty, C (eds) One Day Sculpture, Kerber Verlag, Bielefeld, 2009, pp130-132 and in Booth,J (ed), Le 'Welsh' Man's 24 hour: Bedwyr Williams, Enjoy, Wellington, pp 6-11.

  • 2009

    One Day Sculpture Book, Co-edited with Claire Doherty

    The One Day Sculpture book was published after the series of the same name to document the twenty commissions that took place across New Zealand in 2008/9. The book also features eight commissioned essays on temporary public art by leading authorities including Amelia Jones, Melanie Gilligan, Terry Smith and Martin Patrick.

  • 2008

    Tatzu Oozu-catalogue essay

    In, Wandering Lines: Towards a New Culture of Space, edited by Fulya Erdemci and Danae Mossman, Scape: Art and Industry Biennial, 2008, p47.

  • 2008

    2008 Sydney Biennale-Review in Eyecontact

    March, 2008.

  • 2007

    Sculpture Project Munster 2007- Review

    In, AANZ Journal of Art vol 8, number 1, pp146-150.

  • 2007

    Some Things Are Illuminated, essay in the catalogue Light-Glass-Transparanecy

    This essay examined the work of Dan Flavin, Dan Graham, Spencer Finch, David Thomas and Christoph Dahlhausen among others that formed the basis of the exhibition Light-Glass-Transparancy at the Kunsthalle Dominikanerkirshe, Osnabruck, Germany in 2007

  • 2006

    Otto Karvonen, Dorothy M and Martin Creed entries in the catalogue Don't Misbehave, Scape, 2006

    In, Don't Misbehave edited by Natasha Conland and Susanne Jaschko, for Scape Art and Industry Biennial, Christchurch, 2006.

  • 2006

    Gelitin- Tantamounter 24-review

    In Un magazine, Issue 7, Autumn, 2006, pp70-71.

  • 2005

    It's a Vacant Vacant Vacant Vacant World-catalogue essay

    in, Vacancy, (editors Ron Left and Monique Redmond) published by the School of Art and Design, AUT, Auckland, pp33-37.

  • 2005

    Between Cocksure and Cock Uncertain: Masculinity and Recent Australian Video Art-Journal article.

    In, Photofile 74, 2005, pp 46-50.

  • 2004

    The Imaginary Real and Symbolic Museum: David Clegg’s Imaginary Museum-Journal Article

    Published in Visit, Vol 5, Govett Brewster Art Gallery, pp16-17.

  • 2003

    The Photographic Glare: Youth As a Hyperreal Experience: Jan Nelson at Sao Paolo Biennale-catalogue essay

    In, Walking in Tall Grass: Jan Nelson, published for the Sao Paolo Biennale, Brazil, pp1-7.

  • 2000

    Happy Birthday Sweet Sixteen: Young Bodies in Recent Painting-journal article

    Like Magazine, No.10. 2000, pp60-64.

  • 1997

    Can’t Touch This: The Disappearing Body in Performance Art-journal article

    Like Magazine, Winter, 1997, no4, pp57-58.